Atomos Shinobi 7 II
Atomos Shinobi 7 II
£510.00 inc VAT
£510.00 inc VAT
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- Details
- Features
- Specifications
- What's Included
Shinobi 7 II combines a larger 7-inch HDR screen, with a calibrated peak brightness of 2800nits, and the lightweight monitor-only functions of Shinobi. Can be used in the brightest of environments to monitor signals up to 4Kp30 via HDMI. Take control of Canon, Fujifilm, Nikon, Panasonic, and Sony cameras via USB-C, plus Z CAM cameras via optional USB-C to serial cable. It's an ideal director’s monitor, focus puller’s monitor, program or preview display for video switchers.
Camera Control
The camera control interface has been designed with a focus on common settings that need to be adjusted on a shot-by-shot basis.
Harnesses the versatility of USB-C to allow for the widest possible compatibility with most modern mirrorless and DSLR cameras. See website for camera compatibility list.
Set the camera’s focus point from the touchscreen and use on-screen sliders to adjust white balance, lens aperture, shutter speed/angle and ISO with immediate and responsive access to these settings.
Red border indicates when the camera is recording internally, whether triggered by the camera or from Shinobi 7 II.
The shutter-release function lets you take photos directly from Shinobi’s touchscreen - particularly useful when shooting multiple exposures for HDR bracketing, focus stacking, or similar workflows.
Outdoor/Daylight Shooting
The exceptionally bright 2800-nit display makes it easier to assess contrast, exposure, and focus when shooting outdoors in bright sunlight. HDR monitoring and comprehensive exposure tools also help users identify clipped highlights, crushed blacks, and other image problems when capturing high-dynamic-range scenes.
Director’s Monitor
The large, bright display gives directors, focus pullers, and script supervisors a clear view of the image on set. Its portable design makes it easy to reposition as camera angles and production requirements change.
Log/HDR Workflows
When shooting in Log, Shinobi 7 II can preview how the image may appear after grading. HDR conversion, scopes, and LUT support help users make more informed exposure and composition decisions on set.
- 2800nit HDR touchscreen display
- 1 x HDMI input and 1 x HDMI output
- Comprehensive professional monitoring tools including EL Zone™ false color, focus peaking, waveform and more
- 10+ stops of dynamic range in real time from Log/PQ/HLG signals
- Camera control for compatible cameras
- Touch to focus for compatible cameras
- Built-in 3D LUT support
- Supports on-device calibration (no computer required)
- Powered by USB-C, NP-F battery or DC via battery eliminator
| PHYSICAL | |
| Dimensions: | 188 mm x 120 mm x 23 mm |
| Weight: | 401 g (excluding battery) |
| Mounting Points: | 1 x anti-rotation 1/4-inch / 3/8-inch top and bottom |
| ENVIRONMENTAL | |
| Ambient Operating Temperature: | Up to 40 degrees Celsius |
| CONSTRUCTION | |
| Body: | ABS polycarbonate |
| Cooling: | Passive heat sink |
| POWER | |
| Input Voltage: | 6.2V - 16.8V |
| Operating Power: | 5.8V - 7.2V |
| Multi-Function Button: | Power / lock screen |
| Continuous Power: | Via NP-F battery or USB-C PD Power |
| DC In Connector: | Via Battery Eliminator (optional) |
| DTAP: | Up to 13W |
| USB PD IN: | 45W capable, power supply required |
| USB PD OUT: | Up to 13W |
| DISPLAY | |
| Size: | 7-inch HDR screen with a calibrated peak brightness of 2800nits |
| Resolution: | 1920 x 1080 |
| Backlight Type: | Edge-lit |
| Brightness (cdm2 / Nits): | 2800, calibrated peak brightness |
| Aspect Ratio: | 16:9 |
| Colour Gamut: | Rec.709 |
| Calibration Support: | Simple on-device calibration (connect third-party Calibrite probe directly to Shinobi II via USB-C) or use Atomos Calibrator on PC/Mac with Calibrite ColorChecker Display Pro & ColorChecker Display Plus. |
| COLOUR PIPELINE | |
| Gamma: | Sony SLog / SLog2 / SLog3 / HLG, Canon C-Log / C-Log2 / C-Log3, ARRI Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320, / LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 / LogCEI1000 / LogCEI1280 / LogCEI1600, Panasonic V-Log / HLG, JVC J-Log, Red RedLogFilm / Log3G10 / Log3G12, FujiFilm F-Log, PQ (HDR10), HLG, Nikon N-Log |
| Gamut: | BT.2020, DCI P3, DCI-P3 D65, Rec709. Sony: S-Gamut / S-Gamut3 / S-Gamut3.cine / BT.2020 / Rec.709. Canon Cinema: DCI P3 / DCI P3plus / Rec.709. Panasonic: V Gamut. ARRI: Alexa Wide Gamut. JVC: LS300. RED: DragonColor / DragonColor2 / RedColor2 / RedColor3 / RedColor4 / RedWideGamut |
| 3D LUT Display: | .Cube format (17 & 33 points supported) |
| 3D LUT Down Stream: | Loop out |
| 3D LUT 50/50: | Yes |
| Monitoring Modes: | SDR Native / HDR HLG / HDR PQ / 709 LUT / User LUT |
| HDR Output Conversion: | No |
| VIDEO INPUT | |
| HDMI: | 1 x HDMI (2.0) |
| Locking Port: | Yes |
| USB: | 1 x USB-C 2.0/3.0 |
| Bit Depth: | 8/10-bit video |
| Video Chroma Subsampling: | 4:2:2 |
| VIDEO OUTPUT | |
| HDMI: | 1 x HDMI (2.0) |
| Locking Port: | Yes |
| USB: | 2 x USB-C 2.0/3.0 |
| Bit Depth: | 8/10-bit video |
| Video Chroma Subsampling: | 4:2:2 |
| NETWORK | |
| Ethernet: | 10GbE over RJ45 |
| USB: | 1 x USB-C 3.0 |
| CONNECTIVITY | |
| LANC: | Yes |
| AUDIO IN / OUT | |
| HDMI: | 8-channel, 24-bit |
| Analogue Audio Line In: | 3.5mm headphone jack, 2-channel input |
| Headphone Out: | 3.5mm headphone jack, 2-channel |
| TIMECODE | |
| Embedded: | HDMI (display only) |
| Time of Day: | Yes |
| Reference / Genlock Input: | No |
| LTC: | No |
| RESOLUTION & FRAME RATES | |
| 4K DCI: | 23.98/24/25/29.9/30/50/59.94/60p |
| 4K UHD: | 23.98/24/25/29.9/30/50/59.94/60p |
| 2K DCI 2048 x 1080: | Yes |
| 1080p: | 23.98/24/25/29.9/30/50/59.94/60/100/120p |
| 1080 PsF: | Converted to P and looped out PsF |
| 1080i: | 50/59.94/60i |
| 720p: | 50/59.94/60p |
| SUPPORTED MEDIA | |
| SD: | To update firmware and upload LUTs |
| File System: | FAT32, NTFS |
| ON-SCREEN MONITORING TOOLS | |
| MultiScope Analysis View: | Image, WFM, vector, histogram |
| Waveform: | 3 sizes – adjustable opacity & brightness |
| Histogram: | 3 sizes – adjustable opacity & brightness |
| RGB Parade: | 3 sizes – adjustable opacity & brightness |
| Vectorscope: | 1 size – adjustable opacity & brightness |
| 1x Zoom: | Yes. 1:1 pixel mapping for 4K |
| 2x Zoom: | Yes |
| 4x Zoom: | Yes |
| Focus Peaking: | 4 modes (color, black & white, outline, edge sharpening) with adjustable outline color & peaking intensity |
| Atomos False Colour: | Yes |
| ARRI False Colour: | Yes |
| EL Zone™ System: | Yes |
| Zebra: | Adjustable threshold (50% to 105%) |
| Isolate Colour Channel: | Blue only |
| Cine Frame Guides: | Presets for 2.41, 2.35, 1.91, 1.9, 1.85, 16:9 |
| Social Frame Guides: | Presets for 9:16, 4:5, 2:3, 1:1, 5:4, 4:3, 3:2 |
| Safe Areas: | SMPTE Safe Title Area – 93% & 90% |
| Grid Markers: | 9 grid |
| Anamorphic Desqueeze: | 2x, 1.8x, 1.79x, 1.65x, 1.6x, 1.5x, 1.33x, 1.25x |
| Display Flip: | Horizontal & Vertical |
| EXTERNAL DEVICE CONTROL | |
| USB-C: | Camera control for supported cameras via USB-C. Controllable functions: White Balance, Shutter Speed, Shutter Angle (if supported by camera), Aperture, ISO, Camera Overlays, Record Indicator, Touch to Focus - see Atomos website for camera model compatibility. USB-C port can also be used with external calibrators (no PC required). |
| Serial 2.5mm Jack: | Calibration via optional USB to serial cable |
- 1x Shinobi 7 II
- 1x USB-C 2.0 cable
- 1x HDMI & USB-C locking cable adapter
- 1x Quick Start Guide